Liberty Magazine Cover. 1926. Color pencil on paper. 24 1/2 x 28 1/4″ (62.2 x 71.8 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York).

The Museum of Modern Art will present Frank Lloyd Wright at 150: Unpacking the Archive from June 12 to October 1, 2017. Frank Lloyd Wright was one of the most prolific and renowned architects of the 20th century, a radical designer and intellectual who embraced new technologies and materials, pioneered do-it-yourself construction systems as well as avant-garde experimentation. He advanced original theories regarding nature, urban planning and social politics.

Marking the 150th anniversary of the American architect’s birth on June 8, 1867, the exhibition will comprise approximately 450 works made from the 1890s through the 1950s. The exhibit will include architectural drawings, models, building fragments, films, television broadcasts, print media, furniture, tableware, textiles, paintings, photographs and scrapbooks, along with a number of works that have rarely or never been publicly exhibited. Structured as an anthology rather than a comprehensive, monographic presentation of Wright’s work, the exhibition is divided into 12 sections, each of which investigates a key object or cluster of objects from the Frank Lloyd Wright Archive, interpreting and contextualizing it, as well as juxtaposing it with other works from the Archive, from MoMA, or from outside collections.

Often construed as a regional architect, Wright in fact moved among international networks, traveling extensively in Europe, the Soviet Union, Japan, and South America. He designed over 1000 projects throughout the United States and the world, including countries such as Japan and Iraq. His design practice encompassed all scales and building types, from light fixtures, rug patterns and furniture, to residences, museums, and skyscrapers, as well as landscape designs, and community and regional plans. In addition, he published hundreds of articles and numerous books during his lifetime. Wright also established an architectural school that functioned as a laboratory of innovative design, progressive educational practices and collective living. His politics and architectural philosophies challenged existing social and economic structures, even as he pioneered radical engineering solutions and prefabricated construction systems that challenged the building industry.

Frank Lloyd Wright at 150 is organized around a central chronological spine highlighting the major events in Wright’s life and career, which will be illustrated with some of his finest drawings and include key works such as Unity Temple (1905–08), the Robie House (1908–10), Fallingwater (1934–37), the Johnson Wax Administration Building (1936–39), and Beth Sholom Synagogue (1953–59). Unfolding from this orienting spine are 12 subsections, covering themes both familiar and little explored, that highlight for visitors the process of discovery undertaken by invited scholars, historians, architects and art conservators. These include Wright’s proposed design for a Rosenwald School for African American children as well as his engagement with the imagery and form of Native American design in his quest for an original American architecture of the future. A section exploring Wright’s design for a model farm—preserved in a rarely seen model from the archive—is juxtaposed with a section that explores his lifelong interest in projecting an urbanism appropriate to an era of new technologies of transportation and communication.

Wright’s ongoing preoccupation with ornament is the subject of another section, together with sections that investigate Wright’s understanding of the relationships between nature, landscape and architecture at the scale of the individual organism, the garden and the community. The exhibition also explores his fascination with circular geometries that likewise range in scale from ornamental forms to the building and site planning. Wright was not only a builder for others but a master of self-construction. To this end, a section centered on Wright’s attempt to democratize his vision through DIY building systems dialogues with another that argues Frank Lloyd Wright was one of the first celebrity architects and designers, a savvy manipulator of mass media such as television, radio and magazines, who used these outlets to advance his ambitions.

To learn more, visit The Museum of Modern Art.

About Andrea Hammer 213 Articles
Andrea K. Hammer, founder and director of Artsphoria Magazine, is a Philadelphia-based freelance writer. She has published articles in international publications. Through this expanded edition of Artsphoria, she invites fellow artists, writers, innovators and creative thinkers to join our conversation!